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late night cashiers at 24-hour convenience stores are the holders of our greatest secrets and most intimate selves
not my mom, not my partner, not God himself has seen me no-make up in line to buy a choco-pop and panty liners while on the brink of a heart felt meltdown
no one has given me the empty stare of complete indifference that fills my anxious nerves with relief
there is nothing like the sweet freedom of complete nihilism experienced at a 7/11 at 2am, God lives in church, the randomness of the unfeeling universe lives at aisle 9 of CVS
When Kim wears that ponytail in a courtroom or other work-oriented setting — and that’s usually where she wears it — it is a reflection of her strength and sense of order. No strand is out of place. The coil is curled perfectly, as if it were sculpted with plans to put this ponytail on display in a museum. It is a ponytail that could only spring from the scalp of a grown woman who is formidable and unflappable. It’s a total power pony. (x)
Olivia Colman poses with the Coppa Volpi for Best Actress Award for ‘The Favourite’ at the Winners Photocall during the 75th Venice Film Festival at Sala Grande on September 8, 2018 in Venice, Italy.
Photography by Maroesjka Lavigne
“When I see a bird, I see at the same time that bird on a tree near the house. I see everything as an ensemble, and I realize that’s how I see everything in life… With my lenses, I can take in that place, then the tree, the bush, the house. I try to capture all those places at the same moment, just like our eye travels from one spot to another in taking in the scene, and I try to reconstitute it.”
— Jean-Luc Mylayne, 2006
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